color study for Ed Vargas’s Color Scripting class, Feb 2024
Digital color study for Ed Vargas’s Color Scripting Class, February 2024
Conceptual painting for Ed Vargas’s Color Scripting Class, February 2024
For NYT Second Look section, page 2, December 2023
Digital painting made for Ed Vargas’s Color Scripting class, March 2024
Digital painting done in the style of “Bluey” for Ed Vargas’s Color Scripting Class, March 2024
Finished version and first attempt draft
digital painting, april 2024
digital painting, April 2024
digital painting and color process drafts. April 2024
drawing for section A2 of The New York Times Sunday Paper on April 16, 2023
Illustration for NYT Sketchbook “Stretched Thin”
Book Cover Designs, concepts, and initial rough sketches for Virginia Woolf’s “To The Lighthouse”
For Alexandria Labs
Commissioned Portrait of my neighbor/friend Oscar Ortiz for Apple’s Tower Theatre in DTLA, using his likeness in a collective mural as well as in animated signage inside the store.
Downtown Los Angeles 2021-2022
Illustrations for Bloomberg, “Networks and Brands are Cashing In on Pickleball”
postcards made for a wedding as table settings/favors
Sweet Dreams is the working title of the imaginary movie I made set designs and paintings of for Kellan Jett’s Visual Development Class in spring of 2023. The assignment was to design and paint two environments, I chose ‘carnival’ and ‘skyscraper penthouse office’ as my locations and .
The concept behind the movie is a heist film set in late 20th century, New York City and Capital District. Using a snack stand in the local carnival by the airport as the main front, the brother-led business booms in plain sight.
finished paintings and loose sketches from Kellan Jett’s Visual Development class, spring 2023
Illustration and accompanying sketches for John Nkengasong’s Opinion essay There Will Be Another Variant. Here’s What the World Can Do Now.
Drawn for Bloomberg Digital, 2021 - 2022
illustration for page 3 (print only) in the NYT
Sock designs for Awesome Socks Club, a subscription sock club. Find out more here
Selected illustrations from "Cartwheeling Truth" by Paul Christman published by The Baffler
illustrations made from JD Salinger’s first story in his book ‘9 Stories’, A Perfect Day for a Banana Fish
Illustration accompanying "Not on My Back Forty" by Jake Bittle published by The Baffler
Illustration accompanying "We Mean Nothing to the Company" by Bryce Covert, published by The Baffler
illustration for NYT Sketchbook “Stranded by Bitcoin”
two concepts and the final image printed on page 3 of the NY Times Sketchbook
Illustrations and 3 Panel Comics for Economist UK’s Espresso App
Illustration for Bloomberg, "Mushroom Leather May Be Most Viable Vegan Alternative to Cowhide”
Illustration for "A Year in the Face" by Nathan Dragon, published by The Baffler
illustration for the NYT Book Review of Julia Claiborne Johnson’s “Be Frank With Me”
Illustration for NYT Opinion piece “The Attack that Broke the Net’s Safety Net”
promotional illustrations, text, and fold out map for PF Candle Co’s Summer Zine 2019
composition assignment for Kat Tsai’s Color and Light Class spring of 2022
Drawn for Quartz in October 2021
Illustration for NYT Book Review “Lessons on How to Live in 26 Books”
screen shots of the first version of a personal short film that got shelved, “Lucky”, about an elf who has aspirational hopes for his lottery ticket. (winter 2022)
selected illustrations for the Portland Mercury
illustrations for True Parent Magazine, 2016
concepts and final images for Red Bull Sound Select
Erykah Kane show poster and live backdrop
DoubleDay & Cartwright
illustrations for M1CR Magazine
Illustrations for Metropolis Magazine
selected illustrations/comic made for Narrative.ly